Research on Piano Accompaniment for Modern Chinese Art Songs
Xiaoyu Chen ,Suvida Neramit-Aram
Keywords:
Chinese art songs; Piano accompaniment ,
Abstract
The formation and development of modern Chinese art songs have gone through a series of exploration of nationalization of harmony, localization of melody and sinicization of piano accompaniment, which not only shows the technique of composing art songs in China, but also reflects the increasing improvement of the level of piano music composition. On this condition, this paper will take "piano accompaniment of Chinese art songs" as the research object, from the perspective of musicology, literature, aesthetics, management, philosophy and other disciplines, on the basis of collecting and organizing literature, field research, questionnaires and field interviews to obtain first-hand information, to study the development history, composition characteristics, structural characteristics, tonal characteristics and composers of piano accompaniment of Chinese art songs. It also presents the influence and value of piano accompaniment for Chinese art songs, points out the current problems of piano accompaniment for Chinese art songs, proposes corresponding solutions, and makes suggestions for the future development of piano accompaniment for Chinese art songs.